Blessing the Cornfields (XIII)
Canto I [Midway upon the journey of our life]
Canto I [The glory of Him who moveth everything]
Canto I [To run o'er better waters hoists its sail]
Canto II [Already had the sun the horizon reached]
Canto II [Day was departing, and the embrowned air]
Canto II [O Ye, who in some pretty little boat]
Canto III [Inasmuch as the instantaneous flight]
Canto III [Through me the way is to the city dolent]
Canto III [That Sun, which erst with love my bosom warmed]
Canto IV [Broke the deep lethargy within my head]
Canto IV [Between two viands, equally removed]
Canto IV [Whenever by delight or else by pain]
Canto IX [The concubine of old Tithonus now]
Canto IX [That hue which cowardice brought out on me]
Canto IX [Beautiful Clemence, after that thy Charles]
Canto V [If in the heat of love I flame upon thee]
Canto V [Thus I descended out of the first circle]
Canto V [I had already from those shades departed]
Canto VI [At the return of consciousness, that closed]
Canto VI [After that Constantine the eagle turned]
Canto VI [Whene'er is broken up the game of Zara]
Canto VII [Osanna sanctus Deus Sabaoth]
Canto VII [Pape Satan, Pape Satan, Aleppe!]
Canto VII [After the gracious and glad salutations]
Canto VIII [I say, continuing, that long before]
Canto VIII [The world used in its peril to believe]
Canto VIII [Twas now the hour that turneth back desire]
Canto X [When we had crossed the threshold of the door]
Canto X [Now onward goes, along a narrow path]
Canto X [Looking into his Son with all the Love]
Canto XI [O Thou insensate care of mortal men]
Canto XI [Upon the margin of a lofty bank]
Canto XI [Our Father, thou who dwellest in the heavens]
Canto XII [Abreast, like oxen going in a yoke]
Canto XII [The place where to descend the bank we came]
Canto XII [Soon as the blessed flame had taken up]
Canto XIII [Not yet had Nessus reached the other side]
Canto XIII [Let him imagine, who would well conceive]
Canto XIII [We were upon the summit of the stairs]
Canto XIV [Because the charity of my native place]
Canto XIV [Who is this one that goes about our mountain]
Canto XIV [From centre unto rim, from rim to centre]
Canto XIX [O Simon Magus, O forlorn disciples]
Canto XIX [It was the hour when the diurnal heat]
Canto XIX [Appeared before me with its wings outspread]
Canto XV [Now bears us onward one of the hard margins]
Canto XV [As much as 'twixt the close of the third hour]
Canto XV [A will benign, in which reveals itself]
Canto XVI [Now was I where was heard the reverberation]
Canto XVI [Darkness of hell, and of a night deprived]
Canto XVI [O thou our poor nobility of blood]
Canto XVII [Remember, Reader, if e'er in the Alps]
Canto XVII [Behold the monster with the pointed tail]
Canto XVII [As came to Clymene, to be made certain]
Canto XVIII [Now was alone rejoicing in its word]
Canto XVIII [There is a place in Hell called Malebolge]
Canto XVIII [An end had put unto his reasoning]
Canto XX [Ill strives the will against a better will]
Canto XX [Of a new pain behoves me to make verses]
Canto XX [When he who all the world illuminates]
Canto XXI [The natural thirst, that ne'er is satisfied]
Canto XXI [Already on my Lady's face mine eyes]
Canto XXI [From bridge to bridge thus, speaking other things]
Canto XXII [I have erewhile seen horsemen moving camp]
Canto XXII [Oppressed with stupor, I unto my guide]
Canto XXII [Already was the Angel left behind us]
Canto XXIII [Silent, alone, and without company]
Canto XXIII [Even as a bird, 'mid the beloved leaves]
Canto XXIII [The while among the verdant leaves mine eyes]
Canto XXIV [Nor speech the going, nor the going that]
Canto XXIV [O company elect to the great supper]
Canto XXIV [In that part of the youthful year wherein]
Canto XXIX [At what time both the children of Latona]
Canto XXIX [Singing like unto an enamoured lady]
Canto XXIX [The many people and the divers wounds]
Canto XXV [If e'er it happen that the Poem Sacred]
Canto XXV [Now was it the ascent no hindrance brooked]
Canto XXV [At the conclusion of his words, the thief]
Canto XXVI [While I was doubting for my vision quenched]
Canto XXVI [While on the brink thus one before the other]
Canto XXVI [Rejoice, O Florence, since thou art so great]
Canto XXVII [As when he vibrates forth his earliest rays]
Canto XXVII [Glory be to the Father, to the Son]
Canto XXVII [Already was the flame erect and quiet]
Canto XXVIII [Who ever could, e'en with untrammelled words]
Canto XXVIII [Eager already to search in and round]
Canto XXVIII [After the truth against the present life]
Canto XXX [Perchance six thousand miles remote from us]
Canto XXX [Twas at the time when Juno was enraged]
Canto XXX [When the Septentrion of the highest heaven]
Canto XXXI [One and the selfsame tongue first wounded me]
Canto XXXI [In fashion then as of a snow-white rose]
Canto XXXI [O thou who art beyond the sacred river]
Canto XXXII [Absorbed in his delight, that contemplator]
Canto XXXII [If I had rhymes both rough and stridulous]
Canto XXXII [So steadfast and attentive were mine eyes]
Canto XXXIII [Thou Virgin Mother, daughter of thy Son]
Canto XXXIII [His mouth uplifted from his grim repast]
Canto XXXIII [Deus venerunt gentes, alternating]
Hiawatha and the Pearl-Feather (IX)
How strange the sculptures that adorn these towers!
I enter, and I see thee in the gloom
I Lift mine eyes, and all the windows blaze
Midnight Mass for the dying Year
O star of morning and of liberty!
Oft have I seen at some cathedral door
The Hunting of Pau-Puk-Keewis (XVII)
The March of Miles Standish (VII)
The Sailing of the Mayflower (V)
The Son of the Evening Star (XII)
With snow-white veil, and garments as of flame